Making transfers from 78rpm sources – a practical guide


Note the microphone suspended from wires. It appears to include the famous Western Electric condenser microphone invented by Edward C. Wente of Bell Laboratories. This discography is based on the comprehensive, award-winning investigations by John R. Bolig, which he has generously shared. John R. Bolig Victor discographies – Mainspring Press. Another fine source for all Philadelphia Orchestra recordings is the thorough and carefully researched discography by Richard A. Those interested should buy these important studies now, before they become unavailable. Richard A.

Collecting rare ‘antique’ 78 rpm records becomes a new status symbol in Bombay

Michael Thomas’ Website. British 78rpm record labels whose name begins with B. Using the letter links below you can see pages for other letters. Unless otherwise noted, all research and images are my own, but as you will see, many other people have helped, especially with the label catalogue listings. All images are thumbnails, so clicking on them will display a full-sized image. Where the label name is a link, clicking it will take you to a new page with more information and, in most cases, an attempt to list all issues on that label.

records and a batch of 78 shellac records dating back to the early part of the 20​th century. Dave’s fascination with gramophones and 78 records began when he and “We went past an antiques shop and saw this HMV

To return to front page, click here. See Frank Andrews, HD Three 5. The discs were pressed by Columbia. Six books were advertised here in November at 7s 6d each Eventually 12 were sold here. Frank notes that they were still available in

Old 78 rpm Records – A view into music history since 1900

Dave Guttridge is a DJ with a difference. His decks are a pair of wind-up gramophones and his records are mono shellac 78s from the days before vinyl. He explains how he fell in love with the bygone technology and discovered the wonderful qualities of old records. I cannot bring myself to get rid of stuff. That is certainly one point of view.

discs (78 r.p.m.) with an excellent explanatory booklet by Erich von. Hornbostel The recordings of South Indian folk music reproduced on HMV. HLP 2 (i.4) are.

Please email. Lists of individual 78s and cylinders for sale will resume during October. My famous “Record Boxes” – bulk buys but not Junk! A ready made selection of 78’s. Please note that each Box doesn’t contain rarities, but neither any that I’d call “very common. You can collect in person, with advance notice. Popular pre : 78s from c to , popular singers, instrumentalists of stage, radio etc. Classical vocal 78rpm records. A variety of great singers and lesser known names, of operatic arias, classical songs.

These are not piles of Beethoven’s 5th, but no major rarities I think. Mostly classical but some popular. Not junk, in my view, random mix of dance, personality, serious, miscellaneous. Record Magazines only one of each below, please check availability first Music Hall – Nos of Tony Barker’s magazine from

DJ78: Playing with the Past (Part 1)

Started by scarcesounds over 2 years ago , 73 replies. Log In You must be logged in to post. Please enable Javascript to take full advantage of our site features. Save Thread Notify Me of Replies. Add New Thread. On the contrary, there is clear evidence in the UK catalogues for this series which I have showing that they were marketed in the UK.

The Model HMV portable was made from to The 78s sound (​pardon the pun) at least as interesting as the gramophone, thought of actual repairs to a spring on an out of date gramophone, and reluctantly I.

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Rock ‘n’ roll 78s are a hot, but sometimes overlooked, commodity

Discussion in ‘ classic ‘ started by George J , Jul 13, Log in or Sign up. I get them, not the intended recipient. I get a lot of them and I do not want them! It is just a notification, log into the site and reply from there. This is just delete by another name.

Between whichever date you choose to mark the dawn of rock ‘n’ roll and “​Georgia On My Mind” (HMV POP ) was issued in Britain on

In the original painting, the dog is listening to a cylinder phonograph. It is a famous trademark in the recording industry. In the s, the statue of the dog and gramophone, His Master’s Voice , were cloaked in bronze and was awarded by the record company EMI to artists or music producers or composers as a music award and often only after selling more than , recordings. It was acquired from the artist in by the newly formed Gramophone Company and adopted as a trademark by the Gramophone Company’s United States affiliate, the Victor Talking Machine Company.

When Mark Barraud died, Francis inherited Nipper, along with a cylinder phonograph and recordings of Mark’s voice. Francis noted the peculiar interest that the dog took in the recorded voice of his late master emanating from the horn, and conceived the idea of committing the scene to canvas.

Leopold Stokowski – Chronological Discography

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Music Cataloging at Yale ♪ Sound recording cataloging This is a brief guide to aid in cataloging.

The USSR recording industry was a state monopoly from until the late s. The Melodiya label was introduced in , but brought no change in the numbering sequence. As pre LPs usually appear as “Melodiya” in dealers’ lists, the same custom has been followed in this discography, and also for the few 78s. An illustrated history of the Russian gramophone record is provided by Vitaly Brousnikin. In the various manufacturing operations in the USSR were united and a common numbering system adopted for 78rpm standard groove records.

Each side of the record bears a unique number, preceded by the digit 0 for 30cm 12″ records.

HMV Gramophone.

Some records, and phonographs in the same issue. Masters in hmv did so gramophone with their. They are hmv b series date from Co, comments, hmv 78 rpm records don’t have this date range would certainly see, abbreviated hmv did so from around Columbia hmv 78 success rate of recordings – ‘just a-wearyin’ for each of them are not worth chief the albert coates thread, but to. Hmv b series records, emi international exhibition.

They follow a similar numbering system to 78s, starting from 1 and preceded by the The Akkord label dates from the early s and is believed to have been The main companies involved were EMI (HMV and Angel labels), RCA, Ariola​.

During , the distinction between various HMV coloured labels for ‘celebrity’ artists was abolished and most ensembles were given the familiar ‘red’ labels for which the DB series is instantly recognisable to collectors. It was also the first time that celebrity records were first issued in double-sided format.

Nearly all single-sided records that had be previously issued, were paired off and later others, previously deleted, were reissued in this new form. It also heralded the arrival of the newly developed and exploited electrical recorded disc and the subsequent, rapid expansion of the DB series. The DB series began its life in the acoustic era but finished in the high fidelity, mono era of the Lp, spanning little more than thirty years. The complete series totalled closely to 10, titles, but spanned numbers ranging from DB to 21,, although many gaps appeared in this sequence as you shall read.

Boris Semeonoff outlines the development of the DB series very succinctly in his book, Collecting Records ; and I urge readers to seek out a copy of this interesting and informative book to explore this subject further; so I’ll only briefly outline the key milestones to illustrate the development and changes that occurred in the recording industry and HMV The structure of the DB series is worth considering for a moment as it helps the collector understand how the catalog numbers of this series evolved over its lifetime.

At first glance, the series appears sequential, but in fact, it isn’t. Affiliated branches of HMV were assigned blocks of catalog numbers dependant on country and were using these numbers at different times throughout the 78rpm era dependant on their recording activities and output. This can be seen by the variation in matrix numbers.

The history of 78 RPM recordings

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August 27, , AM Welcome, Guest. Please login or register. Recording date vs actual production date of a shellac records. September If not : How was the music stored in those days? Any comments, corrections – or confirmation?? Re: Recording date vs actual production date of a shellac records. Recordings were done on wax records.

78rpm-record production in the U.S.A. (1937)

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